Author: Lilah Suzanne
Title: Burning Tracks
Series: Spotlight
Book: Two (Can be read as a standalone)
Release Date: August 11, 2016
Length: 224 pages, 62,000 words
Categories: Contemporary, Fiction, Lesbian Romance, Romance Rom-Com
Goodreads Link: https://www.goodreads.com/book/show/29557148-burning-tracks
Publisher: Interlude Press
Cover Artist: Victoria S.
In the sequel to Broken Records, Gwen Pasternak has it all: a job she loves as a celebrity stylist and a beautiful wife, Flora. But as her excitement in working with country music superstar Clementine Campbell grows, Gwen second-guesses her quiet domestic bliss. Meanwhile, her business partner, Nico Takahashi and his partner, reformed bad-boy musician Grady Dawson, face uncertainties of their own.
This book is a tough one for me to review for a number of reasons. I liked it, and it’s not bad as part of the series, but there were a few things which left me disappointed.
Before I get to that, I really do like the author’s style. This is normally exactly my cup of tea—heavily character-driven fiction but with plenty of action to keep my interest in multiple ways. Plus it features two really cool women who are sexy as anything and have chemistry through the roof, even when they’re at odds. So this is definitely worth reading for that alone. Also, as part of a series, it’s wonderful to see an author willing to write both m/m and f/f. That’s an unusual find because it frequently draws complaints from fans of both genres.
However, there were a few things that took away from my enjoyment. For one thing, I didn’t show up to read pages (and pages and pages and pages) about the relationship drama between Nico and Grady. I wanted to focus on Gwen and Flora, and I was extremely annoyed that yet again, a woman’s purpose seemed to be to fix problems for men before she could sort out her own. That would have been a fine plot strand if it had been very minor and in the background, or occurred after Gwen and Flora took care of their business, but it wasn’t. This is definitely one of the drawbacks of writing a different gender pairing within a series. I thought the balance was really off and this needed to focus much more on the women.
The second big thing I had trouble with was the resolution to Gwen and Flora’s situation. I really, really liked some aspects of how it was handled, but I also felt that their heartbreak was thrown in as plot device and mishandled when they made a decision about how to move forward. I’m not sure how to address the fact that it could be really triggering for some readers other than to warn for spoilers and just say it. Flora miscarries, and then they resolve their complex feelings by adopting a kitten and then a child. It made me extremely uncomfortable all around.
Outside of that, Gwen and Flora are a terrific pair. The sex scenes are some of the best I’ve read. They are off-the-charts smoking hot, but also dovetail with the flow of the women’s relationship. I loved the way the situation with Clementine is handled by everyone involved. These are women I would love to read about again (provided we see a lot less of the men and their nauseating drama next time).
For smart, sassy women, plenty of steam, but a so-so plot, this gets 7/10 fountain pens.
Heat Rating:
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“There’s a reason you two aren’t allowed to hang out alone.” Arms crossed, one impeccable eyebrow raised, lips twisted, hair artfully tousled, and dressed to the nines: Alexander Wang black-on-black tropical-printed board shorts, a slim fit black-and-white chino and matching black lapel jacket, black boots, and a black and white scarf to tie it all together. “Nico,” Gwen says.
“Nico?” Grady is up in a flash. “You came?”
Nico’s face softens into his Grady look. “Of course I came. Did you really think you were getting rid of me that easily?” Grady comes closer, and Nico brushes a spiraled lock of hair from his face. “I’m sorry it took me so long. There were storms over Dallas, and I got stuck on the tarmac with a dead phone. I barely made my connection, and the clusterfuck of morons known as the United gate at JFK could not get its shit together, and I may be banned outright from Charlotte-Douglas International, can you believe they flag you as a security risk and hold you in a room with no phone signal or Wi-Fi just for threatening one person with shoving that goddam intercom up their—” He opens his arms for Grady; his look of annoyance slips away the moment they touch. “Anyway, I’m here.”
Grady sighs, crowds into Nico’s space, and tucks himself into Nico’s body. Much better, a perfect fit. “God, I love you.”
“I love you, too.” Nico sinks one hand into his hair, strokes the nape of his neck with other, breathes him in, and closes his eyes. “I’m so sorry. About the apartment and taking off and not being here yesterday, I tried to so hard to make it because I know how difficult it is for you. You shouldn’t have been alone.”
Grady sniffs and holds him tighter. “It’s okay. We’re okay. I’m sorry, too.”
Still ensnared in the sheets and duvet and barely awake, Gwen presses her hands to her cheeks and awws. “You guys,” she coos.
Grady lifts his head from Nico’s neck to smile at Gwen. “I wasn’t alone, though.”
“Mmm” Nico says. “And how much trouble did she get you into?”
“None,” Gwen says, defensive. Here she kept Grady safe and sound, searched all over Nashville and Las Vegas while he was off burying himself in work and what thanks does she get? None.
But then Grady smirks and says, “Kind of a lot.”
“Grady.” Gwen throws a pillow at him. “You’re such a tattletale, gosh.”
He bends to whisper something in Nico’s ear, and Gwen doesn’t miss the way his lips drag and linger on the shell of it, or the way Nico’s breath catches and his eyes roll back. When Nico lifts Grady’s shirt and traces around the tattoos with reverent fingers, Gwen takes that as her cue to extricate herself from the bed, put on some pants and a bra, and go fetch her luggage.
“‘Kay you guys have fun and make sure to change the sheets when you’re finished.”
“Wait.” Nico tugs Grady’s shirt down. Then he goes to the case he always has nearby. “You have trouble of your own, Gwen. Thought you might want to know about this.”
Gwen catches the magazine and folded-up papers he tosses her way: screen grabs from a few entertainment websites printed out in black and white.
Is This Clementine Campbell’s Girlfriend? Our source says, “It wouldn’t surprise me.”
Clementine and Gal Pal Definitely More Than Pals Sunning On Vegas Pool Deck.
Our exclusive source and close confidant of both says: Clementine’s married girlfriend “would cheat for sure. She was always touching her. There’s been an energy between them from the very beginning.”
There are pictures: her rubbing sunscreen on Clementine’s bare back, which looks far steamier in a fuzzy long-range picture than it actually was; a picture of them from the back at the store in the Venetian with their hands clasped and Clementine curled in close and her lips on Gwen’s cheek; and most damning of all, grinding together at the VIP club at the Bellagio just last night.
“I don’t—” Frantic and confused, she flaps the magazine and printouts in the air. “What is this? This isn’t— Nico, I didn’t, I swear.”
Nico holds both hands up. “Hey, I am well aware of the slander of tabloids. I get it.” He gives her a sympathetic look. “I’m just not sure Flora is going to.”
Lilah Suzanne has been writing actively since the sixth grade, when a literary magazine published her essay about an uncle who lost his life to AIDS. A freelance writer, she has also authored a children’s book and has a devoted following in the fan fiction community. She is also the author of the Interlude Press books Spice, Pivot and Slip, and Broken Records, which was named a Top Pick by RT Book Reviews Magazine.
Facebook: www.facebook.com/lilahsuzanne
Twitter: www.twitter.com/lilahsuzanne
Web Site: www.lilahsuzanne.com
Today I’m very lucky to be interviewing Lilah Suzanne, author of Burning Tracks. Hi Lilah, thank you for agreeing to this interview. Tell us a little about yourself, your background, and your current book.
Give us ten tips for becoming a better writer.
#1. Don’t be afraid to suck at it. This is number one for a reason. Sucking at something is the only way to get good at it.
#2. Keep going. This is related to number one. So you’re writing and it sucks and you suck and everything sucks forever? Keep going. We’ve all been there, trust me. Success has more to do with perseverance than anything.
#3. Pay attention to the authors you love. Read, of course, read a lot. But notice the way an author you admire writes, how they use language, how they tell a story. Dissect it, then use it. All of that can be learned. For real.
#4. Find what works for you. There is so much writing advice out there, and some of it will apply and some of it won’t. Use what works, adjust what sort of does, ignore what doesn’t. There is no magic checklist of the right way to do things.
#5. Learn the rules, then break them. Writing is an art, and art requires a little rule bending, right?
#6. But try not to be too precious about it. Yeah, it’s an art, but it’s easy to get twisted in your own head about art and process and what does it all mean. Like, sometimes it’s just plopping some words down and moving on. Sometimes you have to get over yourself, is what I’m saying.
#7. Be respectful. To your story, to your characters, to the people and communities you’re writing about, to your fellow authors, to your readers. Listen, learn, respect.
#8. Be real. You don’t need to reach into the deepest, most repressed caverns of your soul, but you should still be writing the stories that speak to your heart. If you stories aren’t honest, it comes across on the page.
#9. Know your characters really well. I like to write short stories for them, or imagine scenes and dialogue that never make it into the book. If you know them— their past, their goals, how they love, what they believe in, how they speak—the story will likely unfold for you easier.
#10. Keep improving. There is no end point for being a good writer. Keep learning, be humble. And don’t compare yourself to other writers, your path is yours, it has nothing to do with them.
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